The current literature on indeterminacy centers around two projects. One concerns the logic of indeterminacy; the other concerns its nature or source. The aim of this paper is to introduce, motivate and go some way toward addressing a new, third project: that of providing what I call a minimal characterization of indeterminacy. An MC, to a first approximation, is a relatively pre-theoretical characterization of indeterminacy that is neutral between the various substantive theories of the nature and logic of indeterminacy. An (...) MC thus captures a generic sense of indeterminacy that, at least in principle, is recognized by all parties to the debate over the phenomenon’s underlying nature and logic. I begin by introducing the concept of an MC and outlining some of the main theoretical virtues of providing an MC. I then establish some desiderata on a suitable MC, and use these desiderata to rule out various initially attractive proposals. In the final part of the paper I sketch the beginnings of my own MC and defend it against objections. (shrink)

David E. Cooper elucidates Nietzsche's educational views in detail, in a form that will be of value to educationalists as well as philosophers. In this title, first published in 1983, he shows how these views relate to the rest of Nietzsche's work, and to modern European and Anglo-Saxon philosophical concerns. For Nietzsche, the purpose of true education was to produce creative individuals who take responsibility for their lives, beliefs and values. His ideal was human authenticity. David E. Cooper (...) sets Nietzsche's critique against the background of nineteenth-century German culture, yet is concerned at the same time to emphasize its bearing upon recent educational thought and policy. (shrink)

This chapter puts a specific priming effect in memory under the microscope, from a probabilistic point of view. Priming effects in word recognition and memory have typically been viewed as side-effects of the mechanisms of recognition — e.g. as arising from associations between lexical items, which operate automatically. It suggests, instead, that many priming phenomena may arise from the structure of the probabilistic reasoning problem that the perceiver faces. The perceiver has a range of pieces of evidence, but has to (...) infer their likely source. When a piece of evidence from one source is attributed to another, priming may be observed. Huber demonstrates that experimentally observed priming is sensitive to the rational structure of the ‘attribution’ problem, rather than to the operation of mere associative mechanisms. (shrink)

Resumen El artículo muestra la relación estructural entre el testimonio y el juicio estético, y cómo la mentira estructural se implica irreductiblemente como la posibilidad de la verdad. Se explica la necesaria imposibilidad del testimonio como condición de su posibilidad, argumento anticipado por J. L. Borges: “No hay una sola hermosa palabra, con la excepción dudosa de testigo, que no sea una abstracción”. La argumentación se apoya en la teoría husserliana del syncategorema y en los deícticos ; asimismo, se toma (...) de I. Kant el papel de la imaginación y los efectos del “como si”.This essay demonstrates the structural relationship between testimony and aesthetic judgment. The implications of this discovery are several, the most important being the relationship between the lie and truth, implicating that lie indicates the irreducible possibility of truth. The essay explains the necessary impossibility of the testimony as a condition of its possibility, an argument anticipated in Jorge Luis Borges’ beautiful phrase, “There is not a single beautiful word, with the dubious exception of witness, that is not an abstraction”. The argument is based on Husserl’s theory of the syncategorem and on deictic words ; as well, it takes from Kant, the role of the imagination and the effects of the “as if”. (shrink)

ObjectiveThe novel coronavirus is linked to increases in emotional distress and may be particularly problematic for those with pre-existing mental and physical conditions, such as chronic pain and posttraumatic stress disorder. However, little empirical research has been published on resilience factors in these individuals. The present study aims to examine authenticity as a resilience factor among those with chronic pain and/or PTSD.MethodsPrior to the national response to the pandemic, participants were screened for pain-related disability and PTSD symptoms, and on the (...) basis of those responses were categorized into one of four groups: healthy, chronic pain only, PTSD only, or comorbid chronic pain and PTSD. During the CV-19 pandemic, participants responded again to the ODI and PCL-5, in addition to the Wood Authenticity Scale, Brief Pain Inventory, and items related to the CV-19 pandemic.ResultsA total of 110 participants, aged 42.19, completed the survey during the pandemic. The comorbid group endorsed higher levels of CV-19 Threat and Impact compared to all other groups. Authenticity moderated this relationship relevant to CV-19 Threat among those in the chronic pain only group, and not in any other group.ConclusionThe comorbid group endorsed higher levels of CV-19 Threat and Impact compared to all other groups. Importantly, greater authenticity was associated with less CV-19 Threat in the chronic pain only group, and not in any other group. The present study also highlights the importance of engaging authentically for those with chronic pain during the pandemic. (shrink)

We present an overview of the topics in the title and of some of the key results pertaining to them. These have historically been topics of interest in computability theory and continue to be a rich source of problems and ideas. In particular, we draw attention to the links and connections between these topics and explore their significance to modern research in the field.

This excellent collection contains 13 essays from Gadamer's _Kleine Schriften, _dealing with hermeneutical reflection, phenomenology, existential philosophy, and philosophical hermeneutics. Gadamer applies hermeneutical analysis to Heidegger and Husserl's phenomenology, an approach that proves critical and instructive.

The right to join with other people to promote a particular outlook, known as the right of expressive association, is a necessary adjunct to the right of freedom of speech, which is protected by the First Amendment of the United States Constitution. Freedom of speech would be of little practical consequence if the government could suppress ideas by bluntly prohibiting individuals from gathering with others who share their perspective. Freedom of expression must consist of more than the right to talk (...) to oneself. (shrink)

David E. Cooper; III*—Anthropology and Translation, Proceedings of the Aristotelian Society, Volume 86, Issue 1, 1 June 1986, Pages 51–68, https://doi.org/10.10.

From Plato to Quine, this volume provides a concise collection of the essential, classic readings in theory of knowledge.

The idea of a neuromuscular synergy involving independent amplitude commands to the agonist and antagonist musculature is quite an appealing part of Plamondon's theory. One question that might be raised relates to the relative independence of the two commands. Evidence is presented that suggests that the two commands might be related in sequential or simultaneous rapid aiming movements.

Ideology and science Content Type Journal Article Pages 1-4 DOI 10.1007/s11016-011-9535-3 Authors David E. Packham, Materials Research Centre, University of Bath, Bath, BA2 7AY UK Journal Metascience Online ISSN 1467-9981 Print ISSN 0815-0796.

The Psychoanalytic Century examines and celebrates Freuds extraordinary influence on modern analysis and Western culture as a whole. The book comprehensively covers the evolution of our understanding of hysteria as the diagnostic entity through which Freud invented psychoanalysis; and the assessment of the contribution of Freud and his successors to the theory of love and clinical approaches to love relations, as well as to literature, the visual arts, international diplomacy, and race. In this volume we celebrate Freud's legacy, and explore (...) the scope of his impact on psychoanalysis, society, and culture. The contributions of many distinguished colleagues follow the evolution of analysis as his ideas move beyond historical artifact to become living internal objects, embedded in Western culture. David Scharff, from his introduction. (shrink)

I would like to begin by welcoming all of you and by saying how nice it is to be President of the AAP NZ DIV or (the altervative Title) and to be addressing you tonight in that capacity. As I began writing this it occurred to me that every former Secretary of this Association must have asked themselves at some time just how meaningful this automatic honour of becoming President the following year actually is. Certainly it is an advantage to (...) be able to deliver your paper first, and to command a decent audience, but I feel that occupying the office of President could be made into something rather special if the following practice, which I intend to inaugurate tonight, were to become an established custom. (shrink)

In this collection, leading experts evaluate the status of this controversial field, providing a critical analysis of its main hypotheses These hypotheses have ...

The shape of theological humanism -- Ideas and challenges -- The humanist imagination -- Thinking of God -- The logic of Christian humanism -- On the integrity of life -- The task of theological humanism -- Our endangered garden -- A school of conscience -- Masks of mind -- Religion and spiritual integrity -- Living theological humanism.

In lieu of an abstract, here is a brief excerpt of the content:Why Was There So Much Ugly Art in the Twentieth Century?David E.W. Fenner (bio)Two of the most common challenges that teachers of aesthetics have to face in their classrooms today are, first, the presumption that since "beauty is in the eye of the beholder" and "there's no disputing taste," every aesthetic judgment is as good as every other one. The second is that the content from which aesthetics (...) courses commonly draw for examples and for the impetus for contemporary philosophy of art theory — and by this I mean art from Post-Impressionism to the present — is made up of "stuff I could have done when I was four years old." The substance behind these two challenges — that aesthetic judgment is highly or perhaps exclusively subjective and that twentieth-century art does not demonstrate care of technique, or that it is simply ugly1 — are intimately connected. This connection is the focus of this essay. The answer to the question, "why was there so much ugly art in the twentieth century?" may be that the tradition of showing beauty to be a highly or purely subjective phenomenon renders beauty apparently less valuable than if it were objective in character, and so we have, in the twentieth century, a move away from the production in art of beauty to that which is simply "artistic" or "artistically important." I want to come at this thesis not through a discussion about either the location or the reality of aesthetic properties. Instead, I want to focus on the "ugly art."Students in aesthetics courses tend to take one of three positions regarding modern art, and by "modern art," I mean art from Post-Impressionism to the present, including Pop Art, Dada, Surrealism, Abstract Expressionism, and the rest: 1. They deny the value of it, together with claims about their artistic abilities during their kindergarten years. 2. Because they know something of the history and progression of twentieth-century art, or because they have an experiential basis for approaching modern art conceptually, they actually appreciate and value it. 3. They think they ought to value it (the way so many of us feel when buying our very first tickets to the [End Page 13] opera), and they do their level best to act in accord with what they see as their aesthetic obligation. Those of the first camp will probably voice their positions early in aesthetics courses, and at that point the challenge for the teacher is raised.Teachers in aesthetics courses, when faced with this challenge, tend, I think, to take one of three positions in response: 1. They use the authority of their office to stifle the discussion, hoping that students of the first camp will over the course of time and exposure at least move to being students of the third camp. 2. They embrace the complaint, discuss it, give it due regard (after all, those teachers probably read Tom Wolfe's The Painted Word themselves), but leave the final decision about the merit of modern art open and unsettled. I presume this is the majority position, at least in philosophical courses of aesthetics. 3. They seek to impart to students — through exposure, discussion, and the eloquence they can muster of descriptions of their own positive, valuable experiences with modern art — some sense of its merit. In this essay, I will sketch out yet another way to deal with the challenge, one that focuses on the history of aesthetics itself.The HistoryThe history of aesthetic judgment — that is, with the correctness of particular aesthetic judgments — begins with Aristotle.2 He said that an object is aesthetically good — or, actually, beautiful — if it is ordered, symmetrical, and definite, and if it demonstrates each of these virtues to a high degree.3 This analysis we call "formal," because it focuses on the presence in the object of certain aesthetic properties, ones that have to do with the form (as distinguished from the content) of the object. The more basic the cited aesthetic properties, the better, because the strength of the power of one's judgment, along with the power of evidence that can be cited in support of that judgment... (shrink)

In his quest to solve 'the ever-disquieting riddle of existence', Schopenhauer explored almost every dimension of human existence, developing a darkly compelling worldview that found deep resonance in contemporary literature, music, philosophy, and psychology. This is the first comprehensive biography of Schopenhauer written in English. Placing him in his historical and philosophical contexts, David E. Cartwright tells the story of Schopenhauer's life to convey the full range of his philosophy. He offers a fully documented portrait in which he explores (...) Schopenhauer's fractured family life, his early formative influences, his critical loyalty to Kant, his personal interactions with Fichte and Goethe, his ambivalent relationship with Schelling, his contempt for Hegel, his struggle to make his philosophy known, and his reaction to his late-arriving fame. (shrink)

Epistemology has recently come to more and more take the articulate form of an investigation into how we do, and perhaps might better, manage the cognitive chores of producing, modifying, and generally maintaining belief-sets with a view to having a true and systematic understanding of the world. While this approach has continuities with earlier philosophy, it admittedly makes a departure from the tradition of epistemology as first philosophy.